
Working
in restaurants and pubs always presents a different set of
challenges to a food photographer. The space to shoot
is not often ideal and photos not just
showcasing the food in all its glory but have to tell a story about the ambiance of the place where it is served.
What
story do the photographs (or the owner) want to tell? Is this place warm
and cozy, bright and airy, casual, more modern or traditional? How do you fit the
mood of the photograph to the mood of the place you're in at the
time?
Recently we've been able to
document the ambiance as well as food and drinks in a couple of
local
restaurants. Thanks to the amazing staff and fun-loving patrons it has
been a wonderful experience. We plan to do a blog for each location we have photographed over the last couple of years and
how we approached shooting and handling the needs of each with keeping their own character.

The
first is a series of photos from a local
organic brewpub called Roots. According to the owner,
it served the usual pub fare but he felt what it did best was create
a community around the family and of course great beer.

What
made this project so fun is the way our newest digital photo technology
allowed us to
play with light, mood, color and composition in a very intuitive way.
High sensitivity cameras that produce a wonderful image at 1600 or even
3200 ASA, portable lights which can be remotely controlled while they
are adding accent or fill to a dark scene make this job easy. With
instant feedback of the camera screen lighting and compositional
problems become obvious. Stick a light in the corner of the room, play
fly on the wall and capture people in their environment as they go about
their daily pleasures or business. For the photo geeks in the crowd, I
used an SU-800 controlling two separate strobes, 1 SB800 bouncing in
the
ceiling and one SB900 into a 36" umbrella
and while shooting at 1600 ASA to bring some of the ambient light in
play.
The one thing to remember is if you are going to use peoples faces in advertising somebody is going
to have to collect model releases or the photographer will get in
trouble. Whatever anybody says, the photographer holds the primary
liability but the client can also be held liable. Most people are really
open to being in the shot once you explain what it is and maybe buy
them a drink for their trouble. ;-)
Sometimes it seems computers and anything digital just adds
unnecessary complexity to our already complex lives, in this case the
new cameras and way of controlling the lights help us find new ways of
seeing and isn't that great!
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